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DFM Day 2B

DFM Day 2B

Date

Time

Price

Friday, 24 July 2026

19:15

PENDING

Age:

8+

Valletta Campus Theatre (VCT), Valletta

Date

Friday, 24 July 2026

Time
7:15 pm
Duration
Various
Audience Level
8+
Location

Valletta Campus Theatre (VCT), Valletta

Price
PENDING

DFM Day 2B

Date

24 July 2026

Time

19:15

Duration

Various

Audience Level

8+

Location

Valletta Campus Theatre (VCT), Valletta

Price

PENDING

All prices are VAT included. Tickets purchased for Day 2B entitle ticket holders to view all performances within the Day 2B programme only.

Programme Day 2B - 24 July


ASHES TO ASHES (Moveo Dance Company) - BLACK (Oulouy) - RAKKE (Louis Thuriot & Patricia George) - TODO ESTE RUIDO (Qabalum) - PANOPTICON (Vasiliki Papapostolou) - CONVERSATIONS WITH THE ARTIST (Dr Paula Guzzanti)


Moveo Dance Company (Malta)

ASHES TO ASHES


Date: 24th July | Location: Valletta Campus Theatre, Valletta | Duration: 15mins


Synopsis:

Programme Day 2B - 24 July


ASHES TO ASHES (Moveo Dance Company) - BLACK (Oulouy) - RAKKE (Louis Thuriot & Patricia George) - TODO ESTE RUIDO (Qabalum) - PANOPTICON (Vasiliki Papapostolou) - CONVERSATIONS WITH THE ARTIST (Dr Paula Guzzanti)



Moveo Dance Company (Malta)

ASHES TO ASHES


Date: 24th July | Location: Valletta Campus Theatre, Valletta | Duration: 15mins


Photo: Craft Mark Photography
Photo: Craft Mark Photography

Synopsis:


PENDING


About the Company:


PENDING


PENDING BIOS


Performance Trailer:


PENDING


Credits:


PENDING


Supported by:


European Festival Fund for Emerging Artists (EFFEA), European Festivals Association (EFA), En-Knap, Mosaico Danza Interplay Festival, OtraDanza, Arts Council Malta, and Malta International Arts Festival

















Oulouy (Ivory Coast)

BLACK


Date: 24th July | Location: Valletta Campus Theatre, Valletta | Duration: 30mins



Synopsis:


'Black’ is a reflection on the violence and emancipation of blackness in today’s world, through a body that challenges and disturbs, a body that is both wounded and celebrated. Using a set devoid of artifice and brimming with symbolism, choreographer  and performer Oulouy hints at recent history such as the #BlackLivesMatter movement and the murder of George Floyd to rethink the Black African body in the Western world. ‘Black’ is a dance, a visual and musical chronicle, narrated through street dance styles of the African continent and its diaspora in the USA, such as Coupé-Décalé, Ndomboló, Afrohouse or Krump.


Oulouy - Choreographer & Performer


Born on the Ivory Coast and based in Spain, Oulouy combines his role as choreographer, dancer and artistic director with teaching masterclasses worldwide. His first work 'Black' (2020) is a reflection on violence and the emancipation of black bodies in contemporary societies. Accompanied on stage by his international crew of Supa Rich Kids, 'Afrikan Party' (2022) is a futuristic ode to Africa. And his most recent work is 'Kong' (2024). His stage works have been presented internationally in venues such as Perelman Performing Arts Center in New York, Bluma Appel in Toronto, Fabrik Potsdam in Germany, Dansens Hus Oslo, Mercat de les Flors, Teatro Principal de Palma, Journées Théâtrales de Carthage, Suzanne Dellal Centre, Dampfzentrale, among others. 'Black' was selected for the Danza a Escena 2024 catalogue to tour within Spain – Oulouy is actually one of the first choreographers to present their work within this network. 'Afrikan Party' received the Best Choreography award  of the Catalan Performing Arts Critics Awards (2023), and this work has also been included in the choreographic archive of the New York Public Library. Oulouy is also the founder and curator of the festival Oyofe dedicated to street dances. Oulouy has been selected as an Aerowaves25 artist this year with his piece ‘Black’.


Performance Trailer:



Credits:


Choreography and Performance: Oulouy | Produced and Distributed: by Africa Moment



Louis Thuriot & Patricia George (Belgium)

RAKKE  


Date: 24th July | Location: Valletta Campus Theatre, Valletta | Duration: 14mins


Photo: Stefan Foege-Riekenberg
Photo: Stefan Foege-Riekenberg

Synopsis:


RAKKE is a fight, performed by a mother and son. The word comes from West Flemish (our dialect) and means quarrel. The piece is inspired by our own family conflicts and the emotions that come with them e.g. shame, pride, frustration, anger, and the feeling of losing control. Fights between parents and children are full of layers, and as we explored them, we found recurring patterns. What sparks a fight? What keeps it going? And how does it finally calm down? These questions, and the emotions behind them, became the heart of our work

and shaped the piece into something deeply personal.


Note that this performance is in Flemish. The full translated text enacted during the performance can be found below:


Louis: Allez mama kom dans nu! / Common mama, please dance!

Mama: Neenk ventje, kene ge goeste! / No, I don't feel like it!

Louis: En waarom ni? / And why not? 

Mama: Ge weet dak da ni geire doe! / You know I don't like to do that! 

Louis: Ma ge doet dat zo goed / But you are so good at it! 

Mama: Ja Ja, maar toch niet op commando! / Yes yes, but not on command! 

Louis: Op commando? We hebben hierover gesproken, jij wou een stuk maken, en nu wil je niet dansen!!! / On command? We talked about this, you wanted to create a show, and now you don't want to dance!!!

Mama: Ja maar dat was het ding niet he! Ik ging accordeon spelen, toch niet dansen?! / Yes but that wasn't the condition! I was going to play accordion, not dance! 

Louis: Tis ma voor effekes he zeg! Ge wilt toch zelf dat het een goede voorstelling is! / It is just for a short moment!! You also want it to be a good show right? 

Mama: Louis ik heb nog nooit geen dansles gevolgd, en nu zou ik ineens voor publiek moeten dansen! / Louis, I've never had a dance class in my life, and now I should just start dancing in front of an audience? 

Louis: ge zegt toch zelf dat dansen in u genen zit? Dat ik het van u heb gekregen? / You have been saying yourself that dancing is in your genes! That I got the genes from you?

Mama: ja ja, ik zie dat wel graag, maar zo zwaaien en zwieren met mijn benen over de grond, dat is agelijk niet nie mere voor min! / Yes yes, I enjoy watching it, but to swing and move my legs on the floor, that is nothing anymore for me! 

Louis: Ga dan niet naar de grond he!! Doe dan iets anders! / Then don't go to the floor!! Do something else! 

Mama: Maar wat moet ik dan nog doen op mijne leeftijd? (Valt op de grond) / But what should I then still do at my age? (Falls on the floor) 


Louis Thuriot - Choreographer & Performer


Louis Thuriot (1996, Belgium) studied at Codarts and interned with PDC by Club Guy and Roni. He danced with TanzMainz (2018–2022) and Opera Ballet Flanders (2022–2024), working with choreographers like Alain Platel, Sharon Eyal, Jan Martens, Sidi Larbi Cherkaoui and more. In 2024, he became a freelance artist, exploring new creative collaborations.


Louis Thuriot - Composer & Performer


Patricia George (1969, Belgium) studied accordion and chamber music at the Royal Conservatory of Antwerp, earning First Prizes in both. She toured globally with La Tristeza Complice by Alain Platel and collaborated with various production houses. She composes for Duo Accell and teaches accordion at the Kunstbrug Academy in Ghent.


Performance Trailer:



Credits:


Choreography: Louis Thuriot | Music Composition: Patricia George | Songs: 'Broken' & 'Movimento Continuo' by Patricia George



Qabalum (Spain) 

TODO ESTE RUIDO


Date: 24th July | Location: Valletta Campus Theatre, Valletta | Duration: 23mins


Photo: Bárbara Fernández
Photo: Bárbara Fernández

Synopsis:


``I think maybe our life is one version of many,

and that everything, except us, happens again. Maybe that’s enough.

And my atoms and yours, like the pixels of an image, are not ours,

and one day they will separate to give birth to other images, other stories.

And you and I, who have come from so far, who have crossed the cosmos

to end up right here, will dissolve, little by little,

into the eternity we are already a part of.’’


I look again at the particles, I admire their trajectory, their position.

I don’t want to keep doing it, I don’t want to look at anything lifeless again.


About the Company:


QABALUM is a contemporary dance collective founded in Pamplona in 2020 dedicated to creation and performance, teaching and cultural mediation. Formed by Lucía Burguete and Diego Pazó, their works have been shown at festivals and theatres throughout Spain and also internationally. In addition to carrying out their creative and pedagogical work as a collective, Diego and Lucía develop their careers as performers with choreographers and companies such as Peeping Tom, Daniel Abreu, Jesús Rubio, LED Silhouette, Antonio Ruz, Elías Aguirre or Laida Aldaz among others. In five years of continuous touring, audiences have praised the technical brilliance of its performers, the development of their unique style, and their ability to command the space and captivate the audience. Their works bet on the body as a narrative and poetic force, choreographic craftsmanship as dramaturgy, precision in both technique and stage presence, and the evocation of emotional atmospheres and landscapes that shape the spectator’s experience of time


Lucia Burguete - Creator & Performer


Trained in contemporary dance at La Faktoría CC. After a young career as a gymnast, Lucía has worked—and continues to work—with companies such as Peeping Tom, LED Silhouette, Antonio Ruz, Proyecto Larrua, Laida Aldaz, and Vicky Miranda. She has been a guest instructor on training programs such as TRY Dance Program and Impulstanz Vienna, where she was Laura Aris’ assistant.


Diego Pazó - Creator & Performer


A graduate in Fine Arts from UVigo, he began dancing through breakdancing and trained at La Faktoria CC. He currently works for the Daniel Abreu Company and LED Silhouette. He has also performed for the Jesús Rubio Company, Proyecto Larrua, Isael Mata, Laida Aldaz, Joao Cidade, and Vero Cendoya. In parallel, he has also pursued a teaching career, having been a guest professor at training programs such as TRY Dance Program, SEAD Movementors, and Profitraining Freiburg, among others.


Performance Trailer:



Credits:


Creation: Diego Pazó & Lucía Burguete | Performance: Diego Pazó, Lucía Burguete & Joan Cano [drone] | Light and Stage Design: Fermín Blanco & Diego Pazó | Technical Assistance: Liberam Technologies & Livory Barbez | Music: 'VV.AA.' by Diego Pazó | Audiovisual: AVRIGO STUDIO – Bárbara Fernández, David Mendizábal & Diego Pazó | Cover: Laura Gutiérrez | Original text: Diego Pazó | Distribution/Production Assistance: Patty Hinchado | Supported by: DNA 2024 - Gobierno de Navarra, Centro de Danza de Zaragoza, Festival Pies Para Qué Los Quiero, Festival Cuerpo Romo, Sortutakoak - Dantzagunea, Dantzalabea - Teatro Barakaldo, Universidad San Jorge, Harrobi Antsoaingo Gaztelekua & CRJ Baragazte | Thanks: Akira Yoshida, Sandra Muñiz, Martxel Rodríguez & Jon López.


Supported by:


AC/E - Acción Cultural Española, PICE - programa para la Internacionalización de la Cultura Española & Embajada De España En Malta










Vasiliki Papapostolou (Greece)

PANOPTICON


Date: 23rd July | Location: Valletta Campus Theatre, Valletta | Duration: 26mins


Photo: Giorgos Tsagliotis
Photo: Giorgos Tsagliotis

Synopsis:


In the eighteenth century, Jeremy Bentham created the Panopticon, a prison design emphasising constant surveillance. Foucault argued that this concept reflects modern society, where individuals internalise external scrutiny, leading to self-surveillance. In the piece PANOPTICON, the red hands symbolise control, constantly monitoring the body, which represents the human spirit struggling against a mechanised existence focused on conformity and statistics. The work explores the inner conflict among the ego, superego, and subconscious, highlighting the tension between order and chaos and the desire for control over an unpredictable life. The character wrestles with the paradox of wanting visibility while feeling invisible, performing for others and questioning their identity. Ultimately, the piece reflects on life’s meaning, the desire to escape judgment, and the futility of societal rules, portraying the soul trapped in a machine-like body in an increasingly predictable world.


Vasiliki Papapostolou - Choreographer & Performer


Vasiliki Papapostolou aka Tarantism is an international experimental dance artist originally from Greece. Her movement language is a hybrid of physical theatre, ballroom Latin, and urban street dance styles. Her work invites audiences to reflect on the forces that shape our identities and interactions, from social norms to unconscious biases. Her solo work PANOPTICON has received notable recognition, including 2 awards at 29MASDANZA: the Audience Award and the 3rd Jury Prize, the Audience Award at contact.energy 24 – Tanztheater Erfurt and the Philly Fringies Award (USA) for the split bill performance featuring her piece PANOPTICON and Self Help by mignolo. Vasiliki’s works have been presented internationally, including at renowned venues such as Sadler’s Wells -  main stage for Breakin’ Convention (UK), Whitechapel Gallery (UK), Jersey City Theater Center (Jersey City, USA), Massey Theatre - OUROFest (Vancouver, Canada), Kunstfestspiele (Hanover, Germany), National Theatre of Miskolc (Hungary), Sibenik Dance Festival (Croatia), The Place (London, UK), Arts On Site (New York, USA), Cadiz en Danza (Spain), La Fundicion (Bilbao, Spain), Armunia Teatro (Italy), Dancehauspiu (Milan, Italy),MIM Sueca (Valencia, Spain), Arteria Tortosa (Spain), Derrida Stage (Sofia, Bulgaria), Frei Art Festival (Freiburg, Germany), Philly Fringe Festival (Philadelphia, USA), Dance Waves Festival (Nicosia, Cyprus),TEDx Panteion University (Athens, Greece), CICBUNY (Burgos, Spain), Morven Museum (Princeton, USA), Koresh Dance (Philadelphia, USA), Block 336 (London, UK) more.


Performance Trailer:



Credits:


Choreography/Performance/Text: Vasiliki Papapostolou aka Tarantism | Music & Sound Design: Christopher Nas | Music Track: 'Panopticon' by Christopher Nas | Lighting Designer: Emma Gasson | Videographer: Klaus Shehaj



Conversations with the Artists

With Dr Paula Guzzanti


Date: 23rd July | Location: Valletta Campus Theatre, Valletta | Duration: 40mins


Photo: Rodrigo Guzzanti
Photo: Rodrigo Guzzanti

CONVERSATION WITH ALL ARTISTS ATTENDING THE Q & R SESSION


About The Mediator:


Dr Paula Guzzanti is a dance artist, scholar, somatic movement practitioner, and tango dancer and teacher. She specialises in artistic and embodied research practices. In her research, Paula explores the role of the sensorial body in fostering responsible decision-making when designing urban landscapes that connect us to the natural environment. She is particularly interested in developing methodologies to deepen our interaction with the world, including the use of digital technologies to document sensory connections to places. She began her dance training in Buenos Aires, Argentina, and later continued in Ireland, where she earned a practice-based PhD in Dance Improvisation and Collaborative Performance Making at Queen’s University Belfast. She now resides in Malta, where she is the Head of the Dance Studies Department at the University of Malta.



IMPORTANT


The programmes for Dance Festival Malta Day 2 (A & B) occur separately for which two separate tickets need to be purchased.


Dance Festival Malta is sponsored by:


APS Bank, Visit Malta, MAPFRE, Camilleri Preziosi Advocates, and GSD Marketing Ltd.

Friday, 24 July 2026

7:15pm
8+
Valletta Campus Theatre (VCT), Valletta
PENDING

All prices are VAT included. Tickets purchased for Day 2B entitle ticket holders to view all performances within the Day 2B programme only.

More Festivals

DFM Day 2B

Friday, 24 July 2026

19:15
Various
8+
Valletta Campus Theatre (VCT), Valletta
PENDING
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